Interview with theatrefullstop
Speaking about new work IV
April 2023
+
Review on Coolhunting
I I I (something flat, something cosmic, something endless) as part of IMMATERIAL, Mexico City
February 2023
+
Interview with Stella Rousham on Dance Art Journal
October 2022
+
Interview with bido lito! magazine
February 2021
+
FACT
Interview with Capucine Perrot for Fact Magazine A/W 2020.
IN PRINT.
+
Interview with Lotte Johnson
Conversation about Heavy handed, we crush the moment.
June 2020
+
]ARCHIVE[
Last Yearz Interesting Negro
Interviews, Articles and Reviews:
On care and Fury1 for Virtually Reality, May 2019
Talking about Sounds 4 Survival on Stance podcast, March 2019
Article by Vittoria Materrese in CURA31, 2018
Interview on AQNB, September 2018
Jenn Joy for BOMB Magazine on i ride in colour and soft focus, no longer anywhere, September 2018
Claire Lefèvre for Springback Magazine on i ride in colour and soft focus, no longer anywhere, September 2018
Angela Heide for Tanzschrift (in German) on i ride in colour and soft focus, no longer anywhere, September 2018
Guardian Wysing Polyphonic 2018 review mentioning Sounds 4 Survival, September 2018
the Quietus Wysing Polyphonic 2018 review mentioning Sounds 4 Survival, September 2018
interview on FuryZ with Skin Deep Magazine, June 2018
Naomi Gessesse on i ride in colour and soft focus, no longer anywhere, June 2018
Last Yearz Interesting Negro in residence at Palais de Tokyo, Paris, April/May 2018:
Julie Ackerman for Les Inrockuptibles (in French)
Charlotte Maxin for Télérama (in French)
featured in this
There's something in the conversation that is more interesting than the finality of (a title) at The Showroom, Matthew Collings for the Evening Standard on Someone wise once told me that you should just give people what they want... video work, March 2018
Paul Hughes for Exeunt BASICTENSION+, February 2018
Eve Allin for Exeunt on i ride in colour and soft focus, no longer anywhere, October 2017
Interview with Emma Capps for i-D March 2017
on i ride in colour and soft focus, no longer anywhere, October 2016